Higher contrast snow-on-branches image certainly looks more appealing. Which version is correct, or is there something else going on? Just looking at the two images (not the adjustments), it seems change was in reduction of both saturation & brightness. (i haven’t used Lightroom, or have an appropriate environment to run a copy.) From the differences in adjustments alone, of grass+leaves image, it seems “Vibrance” had reduced the contrast.
#Tonal balance control custom curves movie#
Night River Cherry Blossoms, and a Movie Shootįunky Kyoto Marathoners: More Lightroom Processing Fun (and a mini challenge) Gettin' Freaky With Lightroom Tone-Curve Presets Kyoto Cherry Blossoms Off to a Cold, Wet Start Holy Cow, the Gardens at Kyoto's Eikando Temple are Gorgeous! Pretty Clouds, and the Frustration of Trying to Photograph Them Jeffrey's Lightroom Goodies (Plugins and Tools) Gettin' Freaky With Lightroom Tone-Curve Presets. “Presets” panel of Lightroom's Develop Module, choose “Import.”, and navigate toįor even more fun, check out the followup: That's pretty much the extent of my preset use, except for some calibrationĪfter downloading and unzipping, right-click on “User Presets” in the Preset, and the “Dreamy Creamy” preset I used on this photo last fall. Zip with all the presets mentioned: Download: Negative-and-Monochrome-LR-Develop-Presets.zip The points can be a bit temperamental atįirst, until you get the hang of it or better yet, check outĮffect you like, you can save it to a Develop Preset ( instructions).īut, since I've done it already, it's easy enough to share, so here's a “point-curve” icon in the lower-right corner of the “Tone Curve” section, You can create the tone curves by clicking the The develop settings - especially Exposure, Recovery,Īnd Fill Light - to adjust what parts of the photo fall acrossįirst let me say that it's easy enough to create these tone curves and The key to these monochrome / mostly-monochrome presets is to play with Via the “Mostly Monochrome (B&W)” Preset ( powerful, sort of ) Photo from 2008 of Anthony with his friend Gen. I'm not sure what I'd ever really do with something likeīut with the “subtle adjustments can have sweeping, dramatic effects”īit in mind, one can often get something interesting from regular shots. Post in that it rescues something of at least mild interest from an It's similar to what I did with last photo in yesterday's To speak), so his face wasn't just a white blob on the side of a larger I used a lot of the “Recovery” developĪdjustment to bring some of the features of his face “below the cliff” (so Was way overexposed and I really should have just deleted it, but it turns The screenshot that leads this post is another example. Move those parts across the vertical cliff of our tone curve, soĮven subtle adjustments can have sweeping, dramatic effects on the final But “play” is important,īecause develop changes that make parts of the photo brighter or darker can It has such a dramatic effect on the photograph. Much up to the specific situation and, like all artistic endeavors, the eyeīut it is fun to play, especially with this monochromatic idea, because To be clear, I'm not touting this as a “good” effect it's fun toĮxperiment and play, but whether it's good or useful is very Halfway-brightness mark: anything that's supposed to be more than halfwayīright is made perfectly white, and anything that's less bright is made However, you can still process images to the desired profile, using the RAW DEVELOPMENT function in the playback menu.įor a look at more Custom Image profile comparisons, you can visit the official Pentax page here.As you can see, the tone “curve” above is a vertical line at the Unlike the Digital Filters on the Pentax K-3 Markk III, Custom Image profiles are easily accessible from their own dedicated button on the rear of the camera and do not reset when the camera is powered off, allowing for consistent output across a series.
#Tonal balance control custom curves iso#
Whilst I am too young to have experienced Kodachrome, SATOBI does remind me of the muted colours from slide films such as FujiFilm ASTIA or even the desaturation and warm toning of Lomography Metropolis when metered at ISO 100. SATOBI is unique in the way the colours and tones shift, more so than the more utilitarian profiles such as LANDSCAPE and PORTRAIT which can be found across most other camera brands. Previously I have left this function on AUTO or Natural with a preference to grade images myself in post-production. Overall, I find myself very satisfied with the new Custom Image profile.